Posts tagged James Strum
Recent Battle Skirmishes
I’m a little behind on putting together some thoughts on recent industry discussion on Jack Kirby, and the situation with Ghost Rider creator Gary Friedrich. The latter has prompted a few changes on this site that have taken some time to put together. Before we get into all that, here’s a little recap of recent events.
A fresh round of community angst seems to have started with creator James Strum calling to boycott Marvel over their mishandling of the Jack Kirby legacy, following in the footsteps of the Steven Bissette call for a similar boycott last summer. We’ve posted about it here and here on this site. Talk about the Kirby legacy saturates the comics web community. As happened with the Bissette controversy, discussions in fandom forums on the Strum boycott quickly degenerated into arguments over the effectiveness of such a measure and whether Jack Kirby even created the characters that comics history gives him credit for. It’s an interesting and all too familiar phenomenon that turns fandom forums into a battleground between publisher supporters and those of creators. A revelry of aggression, confusion, disinformation, distortion and conflict that has nearly paralyzed such calls to action and halted what could have been a more effective display from comics fandom in support of such campaigns.
Then news broke of the judgement on the Gary Friedrich litigation against Marvel for the character Ghost Rider. Daniel Best has posted some reports which can be seen here, that have spread across the comics net and also to some mainstream media. The litigation started around the same time as the release of the first Ghost Rider film Marvel licensed in 2007, starring Nicholas Cage. It ends now on the eve of release of the second film, which looks very much to be a box-office success and one of the popular film events for 2012.
The familiar battleground fodder in the Kirby campaigns managed to overpower debate in this case also, at least if measured by talk at Bleeding Cool forums and The Beat comments, which together seem reliable enough as a compass for the general mood in fandom on these issues. In a counter-suit against Friedrich, Marvel had also won a judgement for payment of $17,000 from Gary in compensation for his profits from selling Ghost Rider covers, posters, art and paraphernalia for the last couple of decades since not having any income from writing comic books.
Part of the discussion is about Marvel’s counter-suit and victory against Friedrich, which is feared to have ramifications and become a serious challenge to creators who even sell sketches of copyrighted characters through their web sites or at conventions – even though it’s been assumed, by unspoken waiver, to be a legitimate means of raising supplemental income for artists. Heidi MacDonald elaborates in this post, which also explains why there’s a considerable amount of back-stage talk that Marvel had no choice given how Gary conducted the case. Marvel seems to be saying this will have no ramifications on other artists. Ty Templeton seems to tow the company line with an “ouch” critique of Friedrich’s case in this cartoon. Steven Bissette disagrees with Ty and the judgement against Friedrich in this Facebook Note.
Tom Spurgeon raises the ante in this reverberation, which is worth reading between the lines…and words.
Steven Niles, bless his soul, rose to action with a PayPal donation account to help Gary, who has been ill, financially devastated from the trial costs, and is apparently in danger of losing the home he and his family own. The call has been picked up and supported in much larger numbers than what the general mood in fandom hinted at. Neal Adams posted a statement to the comics community urging everyone to pitch in and help give Gary a little financial breathing space. Just to remember that Gary Friedrich is the primary co-creator of a character starring in one of this season’s expected blockbuster superhero movies. The film opened this weekend and looks to be a pretty good production at this stage, on its way to a healthy profit margin.
The campaign to raise funds for Gary Friedrich, given the verdict and judgement against him, seems paramount for the writer’s well-being and that of his family. Anyone who can donate original art or other items for auction is urged to contact Neal Adams. Paypal donations at Steven Niles site. Please consider helping out.
With that behind us, let’s all sit up for a moment and get a little uncomfortable.
The Lies We Live With
We, the community of fans, journalists and creators, concerned about this and similar issues, have inadvertently become paralyzed by our own reluctance to use tools available to us in order to help improve the conditions we all operate under in the comics industry. We are playing by the rules of the enemy, namely DC and Marvel, who, like most other profit driven corporate entities, have taken advantage of a runaway, renegade and mostly hostile-to-the-common-people world economy, and have brought the comics industry to a state of near demise in order to maximize profits outside of comics publishing, utilizing the properties they get from creators, which they control.
We will remain at near paralysis until we are able to break the unspoken taboo that assumes us beholden to DC and Marvel as industry leaders and foundation stones, whom we are reluctant to confront effectively, on the deeper issues that affect the medium and everyone contributing to it.
The Big Lies
If there was any doubt that DC and Marvel are intentionally keeping the comics publishing business on a death bed for everyone else as well, last summer’s New 52 reboot from DC seems to dispel any remaining confusion. The reboot was preceded with the self-serving trumpet sounds of DC putting comic books back on the map. They said this re-writing the DC Universe would open the market for new readers. They promised to utilize mainstream media, television and cinema advertising to make it popular for everyone to be seen with comic books again. They said it was the dawn of a new day for the comics.
Six months into the hoax and the DC bubble seems to have burst with as little fanfare as being able to claim a slightly larger market share than Marvel for the initial months of the reboot. No new reader base and no serious publicity campaign for the comic books. To make things worse, the hoax was accompanied by a digital sales initiative that’s diverted attention away from the plight of printed comics books and has been followed suit by most every other publisher, cementing a feeling that the printed books are now on notice of termination. That entire hoopla last summer, all that noise and public relations pretension, has effectively died out without improving, not in the very least, nor promising to improve, anything in the business of comics publishing for the common good of the market.
Like everything else DC and Marvel do, they do it for a public relations buzz which only helps their other-than-comics merchandise. That’s all they need to do, really.
The Bigger Lies
DC and Marvel don’t need nor want the business of publishing comics to grow and flourish. Because if it did, then there would be many more Siegel/Shuster/Kirby/Friedrich cases dragging them to spend exorbitant funds to defend their absolute control of the properties and absolute corporate greed. They rather prefer to spend immense resources on lawyers battling creators instead of just being a little more fair with the artists and writers who’ve been the content backbone of the companies, without whom there would be no comics industry.
A perpetually dying medium, especially one that continues to produce raw material for exploitation in other arenas, is the best way to keep getting the raw material at the lowest possible cost. No one will ask for more from a publishing industry hanging by a thread.
Armed with this grim reality, DC and Marvel, owned and managed by the most powerful media conglomerates in the world, can posture themselves as doing “what they need to do” by virtually raping the destitute creators who helped build their expansive property base. And they do it with a brazen enough face that we, the comics community, are left to bicker among ourselves as to the merits of one particular circumstance, while ignoring the larger dilemma that publishers are driving the industry into, effectively paralyzing any action that could put a little more pressure on them to do the right thing for the collective good of the comics industry.
The War Imposed Upon Us
In our near paralysis to help improve the general state of affairs, comics industry activists are not entirely impotent, as evident in the overwhelming grass-roots support to help disadvantaged creators when a need rises. We live with the situation because we are basically at war, even though we are reluctant to acknowledge it. We are at war not only against DC and Marvel, but the entire world population is at war with an economy whose heads have altogether shed any semblance of collective responsibility. We are at war against a prevailing attitude that the strong among humanity have no collective responsibility for the general welfare. At war with the notion that the strong hold the upper legal prerogative to rape and plunder every good portion of this world that their hands can reach.
We are at war but we are not yet training to be soldiers. We’ve settled for being as paramedics who tend to our wounded – but we have few soldiers on the front lines. These few who are fighting the good fight are operating in a near vacuum without the needed full support of populist systems such as the voice of fandom and the comics press behind them…who all tend to agree that something’s wrong and needs to change. But we are not yet fighting the war that’s been waged upon us, which we need to do in order to help bring a change.
I’ve long held that the way we live our lives is itself the training ground for the wars imposed upon us in our journey through this world. I also understand the notion that taking a defensive measure in offence to wars imposed upon us, by itself defines us as warriors also. I’m alright with that, though I understand that a lot of voices in the periphery disagree with the need for such a definition.
Within this outlook on life, I’ve been somewhat of a gypsy soldier in training myself, moving around the comics web community where I’ve been able to try to add something to the talk that stimulates towards seeing the larger picture we’re contending with. The Web Activism section at my Wikipedia biography highlights some of these activities that have been covered in the comics press.
As such that the entire world is our training ground, I’ve not concentrated much on a focal discussion forum for these activities at this site. A previous attempt to start something like that here was apparently too early and suffered a natural fadeout. It may still be too early or entirely unsustainable for such an environment here. But like I hinted at the head of the article, it seems that an imperative move is needed at this juncture. And so, even in suffering a potential fail, I’ve started somewhat of a discussion forum training ground for myself and anyone interested in participating.
Announcing FUSION Fourms
FUSION Forums is a registration-free think tank, at this stage.
Its goal is to take a step beyond discussion, into the realm of web activism on behalf of the common people within the comics industry and beyond.
Its hope is to establish a sort of task force of activists who will slowly saturate the comics web community with the need to take a stand and apply a little more public pressure on the “strong forces” who are waging the war against us.
It may take some time to come together, or it may not do so altogether.
But we will at least have tried to fight back.
If you see the war coming, join us and help prepare yourself and others.
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